Monday, October 15, 2012

When say 'I am a christian' I don't say... A poem


When I say, “I am a Christian”
I don’t speak with human pride
I’m confessing that I stumble -
needing God to be my guide
When I say, “I am a Christian”
I’m not trying to be strong
I’m professing that I’m weak
and pray for strength to carry on
When I say, “I am a Christian”
I’m not bragging of success
I’m admitting that I’ve failed
and cannot ever pay the debt
When I say, “I am a Christian”
I don’t think I know it all
I submit to my confusion
asking humbly to be taught
When I say, “I am a Christian”
I’m not claiming to be perfect
My flaws are far too visible
but God believes I’m worth it
When I say, “I am a Christian”
I still feel the sting of pain
I have my share of heartache
which is why I seek His name
When I say, “I am a Christian”
I do not wish to judge
I have no authority
I only know I’m loved
Copyright 1988 Carol Wimmer

Christian Principles

by Paulo Ribeiro
Christian principles are not magic formulas.  They do not always provide clear, easy and simple solutions. They serve as guidelines in helping us to see and take up our responsibilities in this world.  

Thus, rather than trying to achieve certain goals we should try to understand the context and the way we should follow. We must try to follow the Lord's advice in the Sermon on the Mount:  

“Therefore I tell you, do not worry about your life, what you will eat or drink; or about your body, what you will wear. Is not life more than food, and the body more than clothes? Look at the birds of the air; they do not sow or reap or store away in barns, and yet your heavenly Father feeds them. Are you not much more valuable than they? Can any one of you by worrying add a single hour to your life?
“And why do you worry about clothes? See how the flowers of the field grow. They do not labor or spin.  Yet I tell you that not even Solomon in all his splendor was dressed like one of these.  If that is how God clothes the grass of the field, which is here today and tomorrow is thrown into the fire, will he not much more clothe you—you of little faith?  So do not worry, saying, ‘What shall we eat?’ or ‘What shall we drink?’ or ‘What shall we wear?’  For the pagans run after all these things, and your heavenly Father knows that you need them.  But seek first his kingdom and his righteousness, and all these things will be given to you as well.  Therefore do not worry about tomorrow, for tomorrow will worry about itself. Each day has enough trouble of its own.

There you are.  No magic formulas - just principles for life.  

It all starts with the fear of the Lord and the continuous search for wisdom - - - to follow the principles.

Cheers,

Getting off on a tangent


Our Christian life is not a straightforward, easy leveled path. There will be many ‘ups and downs’, emotionally or otherwise. Emotional unsteady patches of road are the worst. We feel God has left us alone: He is not there. We forget that even Jesus on Gethsemane cried out...
If we would consider the emotions/life we could think human emotions as ups and downs of a frequency curve, where the highest and lowest points would be the easiest point to tangentially exit the line – so also when our lowest and highest points. Deep depression or prideful exultation moments are the ones in which we can ‘exit’ God’s will for our lives the easiest and continue following our 'own' paths. It is here that our faith becomes most important: 'do I really believe?' 'Is God's Word really the truth? (Ephesians 6:17). If not, we may become 'wise in our own eyes' or consider ourselves nothingness and want to die. Such as did King Nebuchadnezzar in pride (Daniel 4: 30-34), and the prophet Elijah in depression (1 Kings 19:4).  

Sunday, October 14, 2012

My life measured by a cord?

From Pastor Ben van Arragon

What are you worried about?


Passage: Matthew 6:19-34

This week I’m preparing a sermon on 1 Peter 1:3-9 (as part of a series on the letters of Peter entitled “Holy”.  Find out more here).  Peter’s focus in this passage is “an inheritance that won’t spoil or fade”.  My preparation has brought to mind Jesus’ two-part exhortation in the Sermon on the Mount.  In this passage Jesus both reminds us of the fleeting nature of life in this world, and invites us to trust in a God who knows our needs and loves us immensely.  Above all, our faith directs our focus not to the worries of making today the best it can be, but preparing for an eternity that’s better than the best we can imagine.  Francis Chan, one of my favorites, puts it way better than I ever could.  Take five minutes to listen to what he has to say.
http://www.youtube.com/watch?feature=player_embedded&v=86dsfBbZfWs




Saturday, October 13, 2012

Circunstance, blindness and gifts


A few weeks back I was  in Delft strolling and 'getting lost'  -  in the process we visited the stately 'Niewe Kerk' - the official church of the royal family here - and went inside, also climbed the tower that is over a 100 mts high - they allow you really to climb nearly to the top. Several times being able to go outside and circle the bell tower. At one level we passed the bells and the level above the carrillion bells organ and equipment. At the entrance there was a list of 'beiaards', as the players of the carillion of bells are called, since the 16th century. The third one was, if I recall rightly, Jacob de Blinde - which means 'Jacob the blind one'.
It struck me deeply. A blind men climbing the towers to make the music (the steps very straight, nearly bumped my head twice, at one point I could not look down - scared...) Here was he, the blind one, touching his way all the way into church and up the stairs finding his way in the tower towards the bells. Making the most beautiful music! Remember, this was the most important church of the country - so only the best would play here! I imagine his mother shedding quite some tears during his childhood and youth - tears brought before God's throne and turned into Joy for all around! and probably to the man's heart! In my search to the man, I could not find his name but found another one from about the same period - a Jan Jan van Eyck (this one in Utrecht)  which was payed for also playing his flute throughout the town (see below). 

May those whose tears are plentiful be transformed into joy of many! Let it also be a reminder to us that our failures through God's Power can be our strength!

pictures of the Niewe Kerk and utube with a flute playing written by Jan van Eyck and the tower climbing and playing by a baiaard of today - it is this tower that we climbed!
It s 

JACOB VAN EYCK (from http://www.essentialvermeer.com/music/music_new.html) - born: Heusden (near 's-Hertogenbosch), 1589/90
Jacob van Eyck was a Dutch carillonneur, bell expert, recorder player and composer. He was born blind and inherited the noble title of "jonkheer" from his mother's side. He spent his early years in Heusden. In 1623 he visited Utrecht, where he was appointed "beiermeester" (carillonneur) of the Domkerk in 1625. Three years later he became director of the Utrecht bellworks, having technical supervision over all the parish-church bells. Later he also became carillonneur of the Janskerk, the Jacobikerk and the city hall.
Van Eyck discovered the connection between a bell's shape and its overtone structure, which enabled bells to be tuned properly. The famous bell founders François and Pieter Hemony had cooperated in this discovery. Van Eyck's work drew the attention of such prominent intellectuals as the Dutch scientist Isaac Beeckman, René Descartes (who lived in Utrecht for some years) and Constantijn Huygens (a distant relative, and dedicatee of Van Eyck's Der Fluyten Lust-Hof). Both Descartes and Huygens describe in their letters to the French music theorist Marin Mersenne how Van Eyck was able to isolate different partials in one bell without touching it: simply by means of whistling or humming the desired tone close to the bell and making use of the resonance principle (overtones).
In 1649 his salary at the Janskerk was increased, "provided that he would now and then in the evening entertain the people strolling in the churchyard with the sound of his little flute," a practice that was first mentioned in a poem of 1640. His first collection for the soprano recorder, Euterpe oft Speel-goddinne (Amsterdam 1644) had been enlarged and became later the famous two-volume Der Fluyten Lust-Hof, which remains until today the largest work in European history written for a wind instrument. Moreover, it remains the only opus of considerable dimensions that was "dictated" by the author as he improvised on the flute. Therefore, the original print contained many errors, but the second print already appeared "op nieuws overhoort ... door den Autheur" (heard[!] through anew ... by the author) and was printed several times during van Eyck's lifetime.
The work contains almost 150 pieces for solo soprano recorder in C. A few of the pieces are free compositions (preludes and fantasias), but the majority consist in variations on popular melodies. Although most of them have Dutch titles, many originate from the French air de cour repertory. Some are Italian (from Giulio Caccini, Gastoldi), English (John Dowland), German and Dutch and 16 were borrowed from the Genevan Psalter. The process of composing variations was called "breecken" (breaking) meaning that the notes of a theme were broken into notes of smaller values, each reprise becoming increasingly elaborate.
Despite of van Eyck's noble parentage and his connections to Huygens, he appears to have lived very simply. Whether the success of the Fluyten Lust-Hof did anything to improve his finances is not known.

just to give you an idea...http://www.youtube.com/watch?v=RrXjwSc50rs and http://www.youtube.com/watch?feature=player_detailpage&v=MjFO1SR66UY
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